Rabu, 27 November 2013

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The Only Pirate at the Party, by Lindsey Stirling, Brooke S. Passey

Dancing electronic violinist Lindsey Stirling shares her unconventional journey in an inspiring memoir filled with the energy, persistence, and humor that have helped her successfully pursue a passion outside the box.

A classically trained musician gone rogue, Lindsey Stirling is the epitome of independent, millennial-defined success: after being voted off the set of America’s Got Talent, she went on to amass more than ten million social media fans, record two full-length albums, release multiple hits with billions of YouTube views, and to tour sold-out venues across the world.

Lindsey is not afraid to be herself. In fact, it’s her confidence and individuality that have propelled her into the spotlight. But the road hasn’t been easy. After being rejected by talent scouts, music reps, and eventually on national television, Lindsey forged her own path, step by step. Detailing every trial and triumph she has faced until now, Lindsey shares stories of her humble yet charmed childhood, humorous adolescence, life as a struggling musician, personal struggles with anorexia, and finally, success as a world-class entertainer. Lindsey’s magnetizing story—at once remarkable and universal—is a testimony that there is no singular recipe for success, and despite what people may say, sometimes it’s okay to be The Only Pirate at the Party.

  • Sales Rank: #13697 in Books
  • Published on: 2016-01-12
  • Released on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 272 pages

About the Author
Lindsey Stirling is an acclaimed electronic violinist, who has over 7 million YouTube subscribers, and 11 billion views on her YouTube channel. She has enjoyed Billboard chart-topping hits and sold out tours worldwide, all without the backing of a label. To date, she has released two studio albums: her 2013 self-titled debut and the smash 2014 follow up, Shatter Me. The latter debuted at #2 on the Billboard 200 and won her a Billboard Music Award for “Top Dance/Electronic Album.” On stage, Lindsey combines the infectious energy of dance, electronica, and modern classical music with ballet-inspired dance moves. In her spare time, Lindsey is a motivational speaker, and she uses her own story to help others build confidence, hope, and passion.

Brooke S. Passey is a writer, a horseback riding instructor, and the co-author of this book. She is also a member of her local book club, The Muumuu Society, where women of all ages gather in support of literature and muumuu sales. Brooke currently lives in Arizona with her husband, several horses, and a puggle with an embarrassing underbite.

Excerpt. © Reprinted by permission. All rights reserved.
The Only Pirate at the Party A GIRL
IN CURLS


As a child, I had a big head, a tiny voice, and a total disregard for social cues. All young kids are oblivious at first—public tantrums and soiling one’s pants are somehow okay in infancy—but eventually most children start noticing and mimicking cultural norms. I, on the other hand, managed to glide through childhood without perceiving (or perhaps caring about) these “accepted behaviors.” To be clear, my mother tells me I stopped pooping my pants at a very early age, but she also told me not to use any form of the word poop in my book. Anyway, I just never seemed to care much about what other people were doing.

I was a natural-born drama queen, and my kindergarten classroom set the stage for one of my earliest impromptu performances. One morning as I was getting dressed for school I found myself digging through boxes of dress-up clothes instead of my dresser. And to think, all this time I’d been limiting the use of costumes to playdates and Halloween—what a waste!

Minutes later, I emerged from my room wearing a kimono, red sequined shoes, a single glove, and a curly brown wig. Had the wig been red I would have been overjoyed—Little Orphan Annie was one of my first idols—but this wig would do. It had short, uneven ringlets, and if I shifted my weight just so, I could make the frizzy curls dance around my face. The cute outfit my mother had purchased for the first day of school lay in a heap on my bedroom floor. When I announced to her that I was ready for school, she took one bemused look at me and did what any good mother would do—she handed me my lunch and drove me to Jefferson Elementary.

When I arrived, my class was already gathered for Circle Time, reading quietly on the opposite side of the room. To draw their attention I walked through the door, spread my arms wide, and struck the most dramatic pose I could think of. “Tada!” I said in a mouse-like voice as I hopped from one spindly leg to the other. The class erupted into giggles, and I felt like a champion. Mrs. Fowler wasted no time in sending for the principal—but only so she could showcase her slightly odd student.

Despite my larger-than-life theatrics, I was always quite small for my age. In the first grade, I compensated by becoming best friends with two giants named Krista and Naomi. Maybe their tall-girl instincts told them I needed looking after, or maybe I subconsciously gravitated to their protective body types; either way, we made a wicked team.

Here we are on a field trip to the petting zoo, Krista and Naomi mean muggin’ the camera in my defense.



On second thought, maybe it was our mutual love for saggy denim that brought us together.

Krista and Naomi’s parents were also best friends, so they were constantly doing things together outside of school. After a few months of playing with them at recess, the girls brought me into their inner circle of friendship by inviting me to Knott’s Berry Farm. When Naomi asked me if I wanted to go with her I was speechless. Going to Knott’s Berry Farm was considered a full-fledged vacation for my family. Apparently, to hers it was an average weekend activity, one to which she could invite friends no less!

When Naomi’s mom called that night I could hear my mom in the next room.

“Hi Clair, I was just thinking we needed to invite Naomi over again soon.”

There was a pause.

“Oh, are you sure? Okay.” My mom continued, “Thank you, she is going to be so excited.”

And just like that it was settled.

On the morning of our outing I slipped into my best saggy jeans and waited anxiously for my ride by the front door. As I sat looking out the window my mom watched from the kitchen.

“Lindsey, are you excited to go to Knott’s Berry Farm?” she asked.

“Yes,” I said smiling, eagerly looking for Naomi’s red SUV.

“I want you to tell me about all the rides when you get back. Maybe another time we’ll go together.”

“Okay,” I replied, my focus unwavering.

My mom, like most, wanted to give her kids everything and more. But she was also the kind of mom who never spent money she didn’t have. If we ran out of milk before the end of the month, we ate Cream of Wheat instead of cereal; and when we ate a lot of Cream of Wheat, we didn’t go places like the local Blockbuster, let alone Knott’s Berry Farm.

“Hey Lindsey, look at me for a second.”

Reluctantly, I turned toward my mom. She was smiling gently.

“You know I love you, right?”

“Yep,” I said quickly, but I was immediately distracted by the slow crunch of tires pulling into the driveway.

“She’s here!” I screamed, jumping up and running for the door.

“All right, have fun!” she yelled back, scrubbing a pan in the sink.

Soon after arriving at the amusement park, we realized I wasn’t tall enough for the most exciting rides. I frequently got left behind with Naomi’s younger brother, Troy. At first I was disappointed—how was I going to tell my mom about the rides if I couldn’t even get on them? But eventually Naomi’s mom started buying Troy and me special treats to keep us occupied. All I had to do was look at something for longer than six seconds and she would offer to buy it: cotton candy, churros, frozen lemonade, fry bread, and endless turns at the ring toss booth. The wonders of concession stand food were new to me. Usually, when we went out, my mom packed sandwiches that became soggy in her purse by lunchtime. Naomi’s mom had obviously forgotten to make lunches, which was okay, since she seemed to have an endless supply of five-dollar bills to fill their place.

At one point, Naomi’s mom suggested that the girls go on a smaller ride with Troy and me. Naomi looked back and forth between her mother and Krista before she replied, “But those rides are boring.” I waited for Naomi’s mom to pull her daughter aside to have a chat about being polite and, I don’t know, a good friend. Instead, she handed me another five-dollar bill and let the girls go on their way.

Before long I was stuffed, but the more I ate, the more I wanted. There was no telling when I would get another opportunity to have so much processed food and sugar, or win such ugly (but giant!) stuffed animals again. So I kept looking, and eating, and playing the ring toss. When I returned home at the end of the day I felt sick. But I was delighted by the hideous stuffed lizard under my arm. So what if I’d spent the entire day with a four-year-old boy?

Over time Krista and Naomi introduced me to other things: the Miss America Pageant, eating at restaurants for no particular reason, and the idea of getting paid for doing chores. They called that one “allowance,” and they were both shocked to hear I had never received one.

“What do you mean you don’t get paid to clean your room?”

I was also surprised to find out that a different tooth fairy visits rich people. One time Naomi received five dollars for a front tooth. One tooth! It wasn’t even that big. In fact, Naomi had tiny teeth—the kind of teeth that barely reached the cob when she ate corn. I, on the other hand, had beaver cleavers, and I was certain they were going to work in my favor. The next time I lost a tooth I asked Naomi if she would put it under her pillow, which she did, and I eagerly awaited my grand prize. Her fairy was going to be so impressed. The next day she returned with the tooth but no cash. Her fairy didn’t buy it. Disappointed, I put it under my pillow and awoke the next morning to find two shiny quarters in its place. I imagined my little fairy carrying those quarters through the night, one under each arm (which would have been much harder to fly with than a five-dollar bill), and I was grateful for her extra effort—even if the amount of money was a letdown. At breakfast that morning my mom handed me a bowl of Cream of Wheat and sat down at the table.

“So, did the tooth fairy come last night?” she asked.

I considered telling her about Naomi’s five dollars, but I was worried she might call the Tooth Fairy Office to complain, and what if my fairy got fired? I kept it to myself and answered, “Yes, I got two quarters.”

“Two whole quarters? That must have been one big tooth!”

Tell that to Naomi’s fairy, I thought. But the more I thought about it, the more I appreciated my fairy’s quarters. She wasn’t the richest, obviously, but she was definitely one of the strongest. I liked my little fairy, she did good.

Most helpful customer reviews

28 of 29 people found the following review helpful.
Wonderful lessons and inspirations we can all learn from...
By Whitewater
Her music has such broad appeal, that the couple of times I've met Lindsey at her Meet & Greets I've kidded her that I am "president of the senior Stirlingites!" (Someone has to speak for her legions of older fans!) After reading her book, I'm even more convinced that she is at the cutting edge of changing how the music industry works and operates behind the scenes. She is the new model of the American Dream and has almost single-handedly fought through every barrier and obstacle to achieve success. Despite what other celebrities want you to believe, Lindsey's independence is a rare commodity in Hollywood and she's built her own brand from the ground up through guts, determination, and never taking her fans for granted. She may be the only pirate at the party and because she is "different" she has always charted her own course -- even if she is using a couch as a boat -- to the chagrin of those who underestimate her talents and resilience. Lindsey wrote the book with the help of her sister, Brooke, who is an amazingly talented writer (their father is too!) and it provides a fascinating and honest look at Lindsey's roller coaster life. It's serious, funny, and touching all at the same time. This book would appeal to all age groups and I'm glad she documented her experiences -- I can picture her grandchildren reading this someday and laughing their heads off. It provides wonderful lessons and inspirations we can all learn from, regardless of our age.

54 of 56 people found the following review helpful.
Meaningful and heartfelt
By Chris E. Hanson
This is a real book about a real person. Many celebrity (auto)biographies are narcissistic promotional pieces, existing only to "build the brand" and re(de)fine the public persona of the subject. This one, like its subject, is a little different. Sure, nobody produces a biography about themselves to hide their inner self, in the end this book exists to bring more exposure to Ms Stirling. But it's not the sort of self-sycophantic me-worship of so many others. There are the stories about the embarrassing moments of life and performance, the mis-steps, the self-doubt and the failure to meet the expectations of Reality TV Showbiz and orchestral professionals. But there are also the meaningful moments of triumph and friendship and family,

While this is a book about Lindsey Stirling, violin super-star, it introduces you to Lindsey Stirling, the actual person with weird quirks, funny friends, awkward family, unpopular religion and strict morals and a peculiar pirate obsession.

Will anyone who isn't a Stirling fan buy this book? Maybe not, because they wouldn't know why they should. Would anyone who isn't a Stirling fan get something out of this book? Yes, completely. Because at the end of the day, like many of Stirling's songs, this book is about a girl finding her true calling, being dedicated enough to pursue it through all the setbacks, eating disorders, crises of confidence, music business depravity and Piers Morgan, and overcoming them all to become a superstar. All while remaining true to herself, her family and her music. Just about anyone could learn from that.

Written in a lighthearted and self-deprecating tone, in conjunction with her sister, this book is an easy and enjoyable read for anyone who likes Stirling's music and wants to know more about the girl behind the limelight, or anyone who wants to be inspired to take on their own demons. And overcome Piers Morgan.

4 of 4 people found the following review helpful.
There are very few people in in the world that could fill Lindsey's shoes.
By bdalways
If you love Lindsey for who she is and what she stands for, as I do, you will be rewarded by this reading.
She is a wonderful person who He has truly blessed and has allowed her to bless others thru her music.
Now she shares her life's story and you will love getting to know her.

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Senin, 25 November 2013

[I284.Ebook] Ebook Download Dielectric Polymer NanocompositesFrom Springer

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Dielectric Polymer NanocompositesFrom Springer

Dielectric Polymer Nanocomposites provides the first in-depth discussion of nano-dielectrics, an emerging and fast moving topic in electrical insulation. The text begins with an overview of the background, principles and promise of nanodielectrics, followed by a discussion of the processing of nanocomposites and then proceeds with special considerations of clay based processes, mechanical, thermal and electric properties and surface properties as well as erosion resistance. Carbon nanotubes are discussed as a means of creation of non linear conductivity, the text concludes with a industrial applications perspective.

  • Sales Rank: #4196108 in Books
  • Published on: 2009-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .88" w x 6.14" l, 1.56 pounds
  • Binding: Hardcover
  • 368 pages

Review
From the reviews: “This book is one of the first to address the role of nanocomposites in dielectric insulation. … used as a guide for continuing research on one’s own. The up-to-date references at the end of each chapter allow one to continue researching topics for more details. … This book would be an excellent choice for researchers or academics working in or interested in learning more about nanocomposites and how they apply to electrical insulation, which may someday soon lead to new materials and applications.” (IEEE Electrical Insulation Magazine, Vol. 26 (2), March/April, 2010)

From the Back Cover

Dielectric Polymer Nanocomposites provides the first in-depth discussion of nano-dielectrics, an emerging and fast moving topic in electrical insulation. The book provides an overview of the background, principles and promise of nanodielectrics, as well as a discussion of the processing of nanocomposites. Special considerations are also given to  clay based processes, mechanical, thermal and electric properties and surface properties, as well as erosion resistance. Carbon nanotubes are discussed as a means of creation of nonlinear conductivity. Editor J. Keith Nelson brings together the leading minds in the field, whose contributions to the book also:

  • Discusses the background, principles and importance of nano-dielectric composites
  • Includes complete coverage of nanodielectric composites such as cryogenic applications, high voltage stress grading materials and applications in the capacitor industry
  • Provides detailed coverage on the processing of nanocomposites

Dielectric Polymer Nanocomposites is perfect for academics and researchers working in or interested in learning more about this growing field.

 

 

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Sabtu, 23 November 2013

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Contemporary Art: World Currents, by Terry Smith

This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book.

Contemporary Art: World Currents is the first comprehensive worldwide survey of contemporary art from the 1980s to the present day.

 

Author Terry Smith argues that, in recent decades, a global shift from modern to contemporary art has occurred: artists everywhere have embraced the contemporary world’s teeming multiplicity, its proliferating differences and its challenging complexities and new technologies. Alongside more than 350 carefully selected color images of key works, Terry Smith offers the first account of these changes, from their historical beginnings to the present day. Exploring key works by both well known
and little-known artists, the author shows how contemporary art achieved definitive force in the markets and museums of the major art centres during the 1980s and then became a global phenomenon as artworlds everywhere began to connect more closely: new communicative technologies and expanding social media are now shaping the future of art.

 

Contemporary Art: World Currents breaks new ground in tracing how modern, traditional and indigenous art became contemporary in each cultural region of the world, ranging across Western, East and Central Europe, North and South America and the Caribbean, Oceania, Africa, and the Middle East. Terry Smith lays the groundwork for a new comparative approach to contemporary art, emphasizing its relationships to all aspects of contemporary life. He argues that it is cultural diversity and individual artistic inventiveness, not a convergence towards sameness, which makes today’s art contemporary.

 

Contemporary Art: World Currents brings the subject right up-todate, highlighting the concerns of contemporary artists while giving the reader an invaluable insight to art today.

 

Teaching and Learning Experience

 

Improve Critical Thinking- Explore how contemporary art has become a global, connected phenomenon

 

Engage Students- Looks at the work of contemporary artists from across the world.

 

Support Instructors- Image PowerPoints slides are available for Contemporary Art: World Currents.

 

  • Sales Rank: #195241 in eBooks
  • Published on: 2011-11-11
  • Released on: 2011-11-11
  • Format: Kindle eBook

Review
"Terry Smith is acknowledged world wide as the leading authority in the theory of contemporary art."-- Hans Belting, Professor for Art History and Media Theory, Academy for Design, Karlsruhe, Germany, from the Global Art and the Museum website. "Terry Smith is that rare art and social historian able to write criticism at once alert to the forces that contextualize art and sensitive to the elements and qualities that inhere to the works of art themselves."-College Art Association, citation for the 2010 Frank Jewett Mather Award for Art Criticism

About the Author
Terry Smith is Andrew W. Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh and Distinguished Visiting Professor, National Institute for Experimental Arts, College of Fine Arts, University of New South Wales, Sydney. He was Power Professor of Contemporary Art and Director of the Power Institute at the University of Sydney. A leading authority in the theory of contemporary world art, he is the author of a number of books most recently: What is Contemporary Art? (University of Chicago Press, 2009).

Most helpful customer reviews

11 of 11 people found the following review helpful.
Excellent for Teaching Global Contemporary Art
By 31u3b1rd
I have been using Contemporary Art: World Currents, along with Themes of Contemporary Art: Visual Art after 1980, for my Contemporary Art course. Although I like the thematic approach of Themes of Contemporary Art: Visual Art after 1980 and PBS's Art 21 series, I feel it is also extremely important for students to understand the historical context of works of art by geographical region. Smith does an excellent job providing essential historical background for each region the textbook covers. A work of art by a Chinese artist is not placed within a theme of, say, "memory," but rather within the historical context of post-Cultural Revolution China, with the Cultural Revolution and what it was explained. Smith makes clear connections between the historical context and the contemporary artworks, and provides helpful references to works from the 60s and 70s when relevant to contemporary practice. The artworks are beautifully illustrated in color, and he provides thoughtful interpretations for almost all of the works based on historical context, his own impressions, and on statements from the artists. Smith does cover some thematic issues, such as climate change and social media. I have incorporated these themes into my class along with those from Robertson's Themes of Contemporary Art. All of Smith's chapters address complex theoretical ideas, but they are clearly explained and illustrated by artworks in ways students understand. I have to say that of all the textbooks I've worked with over my years as an art history professor, this is one of the best.

0 of 0 people found the following review helpful.
Four Stars
By Hao
It's not too bad.

3 of 6 people found the following review helpful.
Great Book
By JC
Nice to see an up to date book on the subject. Recommend this book to anyone seriously interested in contemporary movements in art today.

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Sabtu, 16 November 2013

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The JPS classic reissue of a Jewish masterpiece, reset in two volumes with all new indexes To this day Legends of the Jews remains a most remarkable and comprehensive compilation of stories connected to the Hebrew Bible. It is an indispensable reference on that body of literature known as Midrash, the imaginative retelling and elaboration on Bible stories in which mythological tales about demons and magic co-exist with moralistic stories about the piety of the patriarchs. Legends is the first book to which one turns to learn about the postbiblical understanding of a biblical episode, or to discover the source for biblical legends that cannot be traced directly to the Bible. It is also the first place to find the answers to such questions as: on what day was Abraham born; what was Moses' physical appearance, or what was the name of Potiphar’s wife.


Launched in 1901 by The Jewish Publication Society, the original project began as a single volume of 1,000 pages but grew much larger by 1938, when the seventh volume containing the indexes was finally published. Louis Ginzberg was 28 years old when Henrietta Szold, secretary of the Society, prepared the contract for what was conceived as a small, popular volume on Jewish legends. As the scion of two distinguished rabbinical families, Ginzberg studied in the great Lithuanian yeshivot of Telz and Slobodka. Later he received his secular education at Strassburg and Heidelberg universities. This combination of religious and secular learning enabled him to pursue with great passion the wide-ranging roots of Jewish legend. Ginzberg believed that Jewish legend was both earlier and greater than what was represented in the Talmud and midrashic collections—the primary Rabbinic sources. And so he scoured Jewish, Christian, Islamic, and Oriental sources to rediscover the fine threads of Jewish legend. The result was a masterpiece: a single, coherent collection of legends that follows the biblical narrative, accompanied by detailed notes that reveal a complex subtext of often intersecting and multi-layered levels of influence, borrowed notions, and interpretive commentaries.


Four new indexes and a new introduction by David Stern, Professor of Postbiblical and Medieval Hebrew Literature, and Director of the Jewish Studies Program at the University of Pennsylvania, complete the reissue of one of the greatest classics of modern Jewish literature.

  • Sales Rank: #1332397 in Books
  • Published on: 2003-03
  • Original language: English
  • Number of items: 2
  • Dimensions: 11.26" h x 4.00" w x 6.62" l, 6.79 pounds
  • Binding: Hardcover
  • 1650 pages

From the Publisher
Launched in 1901 by The Jewish Publication Society, the original project began as a single volume of 1,000 pages but grew much larger by 1938, when the seventh volume containing the indexes was finally published.

Four new indexes and a new introduction by David Stein, Professor of Postbiblical and Medieval Hebrew Literature, and Dircetor of the Jewish Studies Program at the University of Pennsylvania, complete the reissue of one of the greatest classics of modern Jewish literature.

About the Author
Louis Ginzberg was born in Kovno (now Kaunas), Lithuania, in 1873. He began his university studies in mathematics but eventually turned to the study of religion. His doctoral dissertation, which documented the survival of various Jewish elaborations of the Bible in the writings of the Church Fathers, prefigured his later work. He immigrated to America in 1899 and became a renowned Judaic scholar. He died in New York City in 1953.

Stern is a professor of postbiblical and medieval Hebrew literature at the University of Pennsylvania.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Awesome! Couldn't put it down.
By DAVID W MCDANIEL
If you are a lover of Jewish history, Christian history, and are open minded enough to listen to legends and glean possible truth from ancient spoken tradition that has been finally gathered into one resource for us to read, then this book will be amazing to you. This is one of my favorite books of all time.

15 of 22 people found the following review helpful.
Do Not Buy This Edition!
By J. T. Nunno
This Edition is messed up I just got it expecting Vol 1 (Becuase thats what the cover says) But the inside pages are Vol 2!! Total waste of money for me becuase I needed Vol I. Buy a diffrent edition. I would have given no stars if I could have.

1 of 1 people found the following review helpful.
History that is from history
By Bill Peirez
great stories of the torah that you will never see elsewhere and makes you really think about the portion itself

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Jumat, 15 November 2013

[S709.Ebook] Free Ebook Crazy Good: A Book of CHOICES, by Steve Chandler

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There's bad, there's good... And then there's CRAZY GOOD.

Steve Chandler's latest delivers a series of enlightening CHOICES we can make to have our lives soar FAR BEYOND anything we thought possible.

The hypnotized "I'm fine" life of "barely good enough" is revealed here to be thoroughly unnecessary - and easy to break free from.

The CHOICES Chandler gives us are clean, clear, simple to execute, and based on more than twenty years of training over thirty Fortune 500 companies and coaching hundreds of high-achieving individuals. This is Chandler at his best.

Choose NOW to create a life that's CRAZY GOOD.

  • Sales Rank: #105070 in Books
  • Published on: 2015-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .56" w x 6.00" l, .72 pounds
  • Binding: Paperback
  • 220 pages

Most helpful customer reviews

13 of 13 people found the following review helpful.
One of those rare times that the hope, the hype and the harvest actually align!
By Jason Goldberg
Like nearly every other Steve Chandler book I own, when I am finished reading it for the first time it is physically unrecognizable due to the folded pages (I have a system where small insights get a dog-ear and BIG insights get a half-page fold and this one is lousy with half-page folds), handwritten notes, arrows, circles and highlights!

As per usual, the humor, impact and power of Crazy Good is surpassed only by its simplicity. A book of choices, a book of distinctions, a book that doesn't have to teach or preach anything complex or statistically significant in order to change our lives by reading it.

I somehow found myself both excited and relaxed at the same time while reading Crazy Good - because the choices showed me possibilities without adding any pressure that I HAD to make all of the choices now.

I have already gotten so much from Steve's books and what Crazy Good has provided is another reminder of the power I already possess to make good (I mean CRAZY GOOD) choices in my life.

One visual that really stuck with me was the metaphor of the lamp and the self-criticism. I won't ruin it if you haven't read it, but that one has been playing on repeat in my head ever since I first read it!

Thank you Steve for another masterpiece; for sharing a piece of your mastery.

22 of 25 people found the following review helpful.
If you're looking to go from a kinda-sorta-alright life to a fired up, crazy-good awesome one, I think you'll love this book.
By Brian Johnson
[[VIDEOID:d75b5546f9d995ed089187e8fc871db6]] "There is bad and there is good . . . And then there is crazy good.

Crazy good is something that goes far beyond expectation that you've got goosebumps on your arms when you see it.

So imagine what it feels like to live it.

Most people (myself included, for most of my life) just ping-pong between bad and good. We are bad at something, and then we are good at something. And when we ping-pong over to good, it isn't even that good. We see it as fairly good, and most often it's just barely good enough.

But it never wakes the world up.

The world wakes up from something so much better than it needs to be. That's when the flash of astonishment goes up and down our spine."

~ Steve Chandler from Crazy Good

I love Steve Chandler. And I love his new book.

After interviewing Steve several years ago, we instantly hit it off and began working together immediately. He coached me for two years and has been one of THE biggest (positive) influence in my life.

Steve integrates everyone from Ken Wilber and Nathaniel Branden to Byron Katie and Alan Watts in a SUPER practical way and with an incredibly funny, self-deprecating style.

He's a former suicidal alcoholic (!) who realized that he had a CHOICE about how he would live the rest of his life. And that's what this book is all about: The CHOICES we make on a day-to-day basis that determine our destiny. Steve walks us thru 15 of them.

As a guy with a father who struggled with alcohol and a grandfather who struggled with alcohol + killed himself (not to mention as a guy with my OWN past struggles with feeling lost and hopeless), I, like so many others, find Steve's hero's journey extraordinarily inspiring. As he says, if HE can get to where he is, we all can.

If you're looking to go from a kinda-sorta-alright life to a fired up, crazy-good awesome one, I think you'll love this book. It's PACKED with Big Ideas. Short little mini-chapters full of goodness.

Here's to going from good to CRAZY GOOD!

(More goodness--including PhilosophersNotes on 250+ books at http://www.brianjohnson.me)

7 of 7 people found the following review helpful.
I loved this book
By SLGee
I loved this book. This is how it went for me...1) giggle, 2) underline, 3) ah ha, 4) circle, 5) whoa major insight 6) asterisk, asterisk, asterisk, and repeat! Enlightening, inspiring and eye brow raising all at the same time. Best read with 2 pencils :o)

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  • Sales Rank: #4413687 in Books
  • Binding: Cards

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Rabu, 06 November 2013

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In The Name Of Allah: A History of Clarence 13X and The Five Percenters is the first definitive history every written about this powerful youth movement. Thousands of young Blacks and Latinos have pledged allegiance to the philosophy of the Five Percenters. Their influence has permeated throughout the streets of urban America, the school system, rap music and the penal institutions. The origins of the Five Percenters can be traced to its founder the late Clarence 13X Smith a.k.a. Allah. A former member of Elijah Muhammad's Nation of Islam, he studied under Minister Malcolm X at the Harlem Mosque in the early 60's. He left the organization and subsequently founded a youth movement based on the core doctrine of the NOI and his own lessons referred to as Supreme Mathematics and Supreme Alphabets. The name and ideology of the Five Percenters are derived from NOI teachings that describe the population into three categories. The 85% are misled to believe in a mystery god, the 10% teach lies to master the poor and superstitious, and alas the 5% are the poor righteous teachers of freedom, justice and equality who teach that the true and living God is the Black Man of Asia. During his short reign as leader of the Five Percenters, Clarence 13X (Allah) faced many challenges but accomplished many objectives. Unfortunately in June of 1969, he was gunned down by unknown assassins. He left a legacy of countless youth who embraced the concepts of the Five Percenters which are evident in the conscious youth of today that identify with his teachings. Until now, there has yet to be a comprehensive history written in regard to the man called Allah and the Five Percenters. This information has now been compiled and presented as an anthology by a member of the movement over the past 25 years. The Name of Allah: A History of Clarence 13X and the Five Percenters is a must have for anyone who desires to know more about the dynamic movement.

  • Sales Rank: #720843 in eBooks
  • Published on: 2009-02-22
  • Released on: 2009-02-22
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Scholarly and Comprehensive History
By B-Magnetic
Peace! I come in the name of Born Magnetic Allah. I have been a memeber of the Five Percent Nation of Islam (5%) since 1986. I have come across awesome pieces of information during that period of time and have interacted with many who have walked with the founder of the 5% Nation, Allah. There is a RICH history (both written and oral) that I know of and have in my posession written by many over the years, b.u.t. there was nothing (to my knowlege) which compacted all of that into one book, until now. I have never come across a more scholorly and indepth work detailing the rich history of the 5% Nation, until I read this book. From the Root to the Fruit, this book covers it all. It has the transcript of an interview Allah did in 1967, so you get to read for yourself and get a glimpse into the thinking of the man who Fathered a Nation. It details the history of our Flag, our intimate involvement in the STOPPING of a riot in Harlem in 1968 when Dr. Martin Luther King was murdered. It covers the POSITIVE opinion of the Hon. Elijah Muhammad on the 5% Nation, and much, much more. This is not just a book for the "insiders" such as myself, b.u.t. this book is also for those who may have heard a snippet here and there over the years, or who may have no knowledge at all of the 5% Nation; this book is for you. An easy read, that is very difficult to put down.

Peace to the God, Wakeel Allah for documenting our history in a manner worthy of the Supreme Intelligence that produced this Nation.
Peace!

3 of 3 people found the following review helpful.
In the Name of Allah, vol.1 - A Must-Read for Historians
By Amazon Customer
This book gives a rare insight to an important part of African American Muslim History. The views may be controveral to some; nevertheless, they are a part of the fabric of American life. One can not truly appreciate the journey of the descendants of formerly enslaved Africans to reclaim the religion of Al-Islam without this knowledge.

2 of 2 people found the following review helpful.
The Greatest Story Ever Told
By Amazon Customer
" In the Name of Allah" by Wakeel Allah is a valuable addition to any lover of Black theology book collection. Inside of this book you will find an abundant supply of primary sources in regards to the Father Allah and his 5% Nation of Islam. The author did very little writing as he let the documents speak for themselves as he narrated. Great book and i applaud the authors research and effort.

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Thinking About Sociology: A Critical Introduction is intended for introductory sociology courses for first-year university students. The book helps students start to think like sociologists, to question their taken-for-granted assumptions about their place in society, and to evaluate critically how they interact with other individuals and social institutions. To this end, Anderson takes a critical perspective when discussing the core concepts, skills, theories, and applications used in the study of sociology, giving students the skills they need to understand and confront the challenges they will face in life. Anderson presents examples that are diverse, topical and relevant to Canadian students, covering such areas as education and training, immigration and integration and social networking and mediated interactions.

  • Sales Rank: #725908 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2012-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 9.90" l, 2.25 pounds
  • Binding: Paperback
  • 528 pages
Features
  • Used Book in Good Condition

Review
"The author begins with clear and strong discussions of language and the conceptual systems that guide our understanding of the social world. She then follows through with a well-informed philosophical discussion of the complexity of the ideas introduced and a good discussion of the
sociological position that the systematic organization of shared meanings is key for constructing and 'fixing' an understanding of the world."

--Joseph Galbo, University of New Brunswick

"I appreciate that the author has focused on students' lives in an attempt to engage them in the text."

--Susan Miller, University of Manitoba

About the Author

Karen Anderson received her BA and MA from the University of Regina, and she received her PhD in sociology from the University of Toronto in 1982. She taught at McMaster University in Hamilton and at King's College in London, Ontario, before coming to teach at York University in 1988, where she is currently an associate professor of sociology. Her research interests include nineteenth-century financial capital, gender relations in seventeenth-century Iroquoian societies, contemporary social theory, and theories and practices of post-secondary teaching. Most recently she has begun a research project on the flight of capital from manufacturing in a small Ontario town and its impact on people's lives. Between 2007 and 2010 she was a research fellow at York University's Centre for the Support of Teaching, where she conducted research on teaching large introductory university classes. She has authored two books, as well as numerous book chapters and journal articles.

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Jumat, 01 November 2013

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Bunraku: an Introduction to the Japanese Puppet Theater, by Shuzaburo Hironaga

  • Sales Rank: #10685655 in Books
  • Published on: 1959
  • Binding: Paperback

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