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The Tourist (Milo Weaver, Book 1), by Olen Steinhauer
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In Olen Steinhauer's explosive New York Times bestseller, Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a "tourist" for the CIA―an undercover agent with no home, no identity―and working a desk at the CIA's New York headquarters. But staying retired from the field becomes impossible when the arrest of a long-sought-after assassin sets off an investigation into one of Milo's oldest colleagues and friends. With new layers of intrigue being exposed in his old cases, he has no choice but to go back undercover and find out who's been pulling the strings once and for all.
In The Tourist, Olen Steinhauer―twice nominated for the Edgar Award―tackles an intricate story of betrayal and manipulation, loyalty and risk, in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's most touted luminaries.
- Sales Rank: #753207 in Books
- Published on: 2010-02-16
- Released on: 2010-02-16
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.19" w x 5.43" l, .63 pounds
- Binding: Paperback
- 432 pages
From Publishers Weekly
Starred Review. Edgar-finalist Steinhauer takes a break from his crime series set in an unnamed Eastern European country under Communist rule (Liberation Movements, etc.) to deliver an outstanding stand-alone, a contemporary spy thriller. Milo Weaver used to be a tourist, one of the CIA's special field agents without a home or a name. Six years after leaving that career, Milo has found a certain amount of satisfaction as a husband and a father and with a desk job at the CIA's New York headquarters. The arrest of an international hit man and a meeting with a former colleague yank Milo back into his old role, from which retirement is never really possible. While plenty of breathtaking scenes in the world's most beautiful places bolster the heart-stopping action, the real story is the soul-crushing toil the job inflicts on a person who can't trust anyone, whose life is a lie fueled by paranoia. George Clooney's company has bought the film rights with the actor slated to star and produce. 100,000 first printing; author tour. (Mar.)
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From Booklist
*Starred Review* Charles Alexander’s soul has been destroyed by his work. A CIA black-ops agent (called a “Tourist”), he is postponing his suicide just long enough to complete one more job. Very early on September 11, 2001, the job goes disastrously wrong. He lives. Six years later, he has become Milo Weaver, still a Company man but now a devoted family man, too. Accused of murdering a colleague—his best friend—he’s forced to go on the run to clear his name. Evidence suggests that the bad guys might share his travel agent. And, as Weaver’s own mysterious past comes into play, his hard-won happiness hangs by a fraying thread. The premise isn’t new, but what’s noteworthy is the way Steinhauer manages to push the genre’s darker aspects to the extreme—his hero’s alienation is part of the cost of carrying out orders whose true origins and ultimate effects are often unknowable—without sacrificing the propulsive forward momentum on which a spy story depends. And Weaver, smart but sometimes not smart enough, is the perfect hero for such a richly nuanced tale. Steinhauer’s excellent Eastern European quintet (Victory Square, 2007) didn’t make him the star he deserves to be, and his publisher is banking on this one to do the job. They’re making comparisons to the classic spy novels of le Carré, Greene, and Deighton—heavy hype, but it’s largely justified. --Keir Graff
Review
“The best spy novel I've ever read that wasn't written by John le Carré.” ―Stephen King, Entertainment Weekly
“The kind of principled hero we long to believe still exists in fiction, if not in life.” ―The New York Times Book Review (Editors' Choice)
“As rich and intriguing as the best of le Carré, Deighton or Graham Greene . . . The Tourist should be savored.” ―Los Angeles Times
“Tour de force . . . First-rate popular fiction . . . The Tourist is serious entertainment that raises interesting questions.” ―The Washington Post
“Remember John le Carré . . . when he wrote about beaten-down, morally directionless spies? In other words, when he was good? That's how Olen Steinhauer writes in this tale of a world-weary spook who can't escape the old game.” ―Time
Most helpful customer reviews
128 of 140 people found the following review helpful.
There are tourists, and then there are Tourists...
By S. McGee
This is, quite simply, the best spy novel I can remember reading in what must be many decades. Daniel Silva, in comparison, is writing books for middle school kids, and even Alan Furst pales slightly in comparison.
This impeccably structured novel revolves around Milo Weaver and his battles for identity and meaning within the world of "Tourism". Forget digital cameras and souvenirs, however; Weaver and his colleagues travel the world on behalf of a clandestine US intelligence agency, combatting global organized crime, terrorists and other miscellaneous enemies of the United States. We first meet Weaver as a burned out shell of a man, whose soul is being destroyed by what the job demands of him. Its early pages dart back and forth across a six-year-timespan, introducing us to key characters in the drama to follow, from fellow Tourists to his boss Tom Grainger, from the woman he loves and marries to the woman whose investigation into the death of a hired killer Weaver has been hunting, nicknamed the Tiger, threatens to derail his fragile happiness.
Each of those characters is carefully drawn and feels as vivid and 'real' as does Milo himself in his struggle to extricate himself from a trap to implicate him in murder and treason. Who orchestrates that conspiracy, for what reason and how it is resolved is at the heart of the plot. Steinhauer never strikes a false note in his writing or cuts corners in the intricate plot. Early on, as Milo muses about his profession, "the truth was that intelligence work seldom, if ever, ran in straight lines. Facts accumulated, many of them useless, some connecting and then disconnecting." Steinhauer, however, keeps each fact relevant, and carefully scatters clues to the novel's denouement along the path that the reader will follow. Never, however, does the outcome feel inevitable or predictable; nor are the clues so opaque that the reader feels frustrated or irritated.
"Tourism is all about storytelling. After a while you collect too many layers. It's hard to discern story from truth." In Steinhauer's capable hands, his story becomes the truth, to such an extent that when I finally put the book down with a sigh of regret, I almost headed off to Avenue of the Americas in search of Weaver's (fictional) Tourism Department headquarters. And I did download a bunch of 1960s and 1970s chanson of the kind that Weaver listens to obsessively to connect himself to the world of love and family even as he must wage a solitary battle in a much darker universe.
If Amazon allowed us to rate this six stars, I'd award them all to this book. Strongly recommended for anyone who enjoys a novel revolving around puzzles and intrigue, but especially for any fans of spy or suspense novels. A noirish tone complements the novel's plot beautifully. The only folks who won't enjoy this are those with a taste for black and white: heroes vs villains, and nary a trace of nuance. This is a book whose author navigates so deftly between those lines that we realize that while Milo may be a hero to us, we also accept sadly that his wife, Tina, is right to see him as a kind of villain.
A tour de force.
38 of 40 people found the following review helpful.
"It was a miserable job; it was a miserable life."
By Mary Whipple
In the post-Cold War days immediately prior to 9/11, Milo Weaver, a "tourist" for the CIA--an agent without a home base--dealt with issues like finding war criminals, watching émigré Russians living an extravagant style abroad, and looking for three million dollars thought to have been stolen by Frank Dawdle, the CIA station chief in Slovenia. Milo, a failed suicide addicted to Dexedrine, has seen too much violence and crime. Watching a Russian pedophile throw a thirteen-year-old girl off a balcony in Venice, seeing an influential CIA man betray his country, and being shot and nearly killed when that agent is murdered by another "tourist," has just about done him in.
Six years later, Milo is happily married to a woman whose life he saved, with a six year-old stepdaughter who adores him. Though he is no longer a "tourist," he is still working for the CIA, investigating "The Tiger," one of the most vicious killers in the world, an equal-opportunity assassin who has killed, among others, both an influential cleric in the Sudan and the French foreign minister. No one knows for whom he works. When Milo tracks him down, he learns that the Tiger has actually planned their meeting, deliberately leaving a trail for him because he wants to meet him. The Tiger wants Milo to find and kill the man who has commissioned all the international killings--and ultimately, the man who has arranged for the Tiger's own death.
The evolving action reveals much about the internecine squabbles within the CIA, between the CIA and Homeland Security, and between Congressmen and both organizations. The number of betrayals is astonishing, high level agents with personal rather than national agendas, double agents, agents who sell out each other, and trained agents who disappear to assume new identities and freelance on a global scale--for a fee. Homeland Security and the CIA distrust each other, and key information is not shared. Congressmen sometimes run their own investigations, and no one can be trusted.
As this intricately constructed novel moves back and forth in time, the reader must constantly consider several basic issues: Who is the Tiger? Who is Milo? And, finally, is the information that the author provides about these and other characters reliable, or is the author himself acting as a "double agent"? The reader must constantly act as a "tourist" here, accumulating hints but not knowing much definite information about Milo and other main characters until well into the novel. While this involves the reader in the action, the lack of certainty about some characters keeps them (especially Milo), at arm's length. Numerous aliases for important characters occasionally lead to confusion. Still, the novel is exciting as Steinhauer capably unites disparate threads to keep the suspense high and his readers involved. n Mary Whipple
The Bridge of Sighs: A Novel
Liberation Movements
40 of 47 people found the following review helpful.
Just Awful
By Andrew Faunch
Do yourself a favor and don't bother with this novel. Retread stereotypical characters, long-winded plot development, unsatisfactory resolution- this has got it all. An assassin called "The Tiger" , a dirty CIA head honcho that uses the code name "Carlos" - really?
People who are drawn to reading this are likely to have read some Le Carre, Ludlum, and even (in the case of the protagonists name, Milo) Kellerman. There is not an once of originality in this dreadful book.
I was coming off reading "The Expats" by Chris Pavone, which while not perfect I enjoyed immensely, so thought I'd stick with the genre for another go around- Fail. I'm really not that critical & generally pretty easy to please, but this really is awful- just don't.
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